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Dante's Inferno

"Thus saith the LORD, the Holy One of Israel, and his Maker, Ask me of things to come concerning my sons, and concerning the work of my hands command ye me."

Lion of Judha, so often confused by some, as reignin King of Israel has seen many of catstrophs in this Witkacy theater of life. It was that always through 5771 years of judaism, it is like cry encoded on his face. And like for all his forefathers, also for him, since his first breath. And even before, as his kick in mother abdomend has razed Rotunda just few months before he has come on this world on 24 April 1979. Sturming it like Islamic Revolution and bringing true revival of religious and spiritual life, all over the world. When he was raveing on Solidarity Krajowka having just two years, he was making lokal pop star Agnieszka Osiecka, crying loudly. 

At that time he was not understanding at all, Dante Inferno that was surronding him. Even while he was all the time in his center. Together with his father and mother. An icon of local sanctuary, bestialy martyred by very same hands of Israel Bezpieka that was martyring his father in 1984. Are there hands of Creator, the Holy One? Certainly no. My forefather's could even ask loudly them, "are you realy my sons?" Thanks God, some are still, maybe eve majoryty of them. Others are choosing false God and Messiah, Dajjal, as Mahometans was saying.

Choosing transformation in whatever French Race or maybe just Homo Sovieticus, as Staszek was naming them. Trying to crash Ummah and taking thier 'Fitna course'. Respectivly for both of nations. Just, like in time of his youthness, trying to bring total war and destruction to this planet and extermination of millions of faithfulls, instead of doing everything to brining promised Messianic Age.

Since Dante has wroten his legendary 'Inferno' hundreds of years has passed. Many things has changed and our eternal, heretical enemy has improved his disguise tactics. What did not changed is human nature, for first people are cutty, most of them is. For second, they prefer to stand on the side of God. This is just human nature. The other thing that is not changing is the root of culture, whatever regime is "2+2=4". In the eyes of people, black will be always black and white will be always white. Even while God had always dual nature and some because of color of his pelage are confiusing him with his reversal. Just like our clean Master Race is confiusing him with Adolf Hitler...

Whatever the regime will say. If they will not learn from the past, if they will not learn 'Rasputin' lesson, they will fall, whatever it was Tzarist Russia or Soviet Union they has collapsed. There will be always a people like Kazik Staszewski that in 1986 was signing straight into face of regime his 'Blood of God'. No, revisionist sunglasses of Wojciech Jaruzelski and regime propaganda has not helped them to fall under such noises.

While our 'polish pilgrimage' technics has improved since another important cultural and religious work of another writer, Adam Mxxx. Both 'Hitler arbeit' and 'Stalin parachuting' has showed clearly what is good and what is evil. Where is the border between true faith and where aguse of this wonderfull Gif of God begins. In other words, what are hands of God and what are hands of Satan. And foremost, what a true patriotism and heroism is. The history has also cleary showed what is difference between Freemasonry and Illuminati of Bavaria. In our Dante Inferno the circles of sinners has stayed merly same and on our Krajowka: Vienna Railword there are same stations, while most of trains on Scientology tickets stops at station 'Sobibor' there are futher ones like mystical Poraj. Especialy for all this Limbo mans that want make a step forward and join Islamic Ellite, to gain status of Mahdi helper. Beside shooting, you also need to think. Welcome to Dante Inferno...

Dante's Inferno

Inferno (Italian for "Hell") is the first part of Dante Alighieri's fourteenth-century epic poem Divine Comedy. It is followed by Purgatorio and Paradiso. It is an allegory telling of the journey of Dante through what is largely the medieval concept of Hell, guided by the Roman poet Virgil. In the poem, Hell is depicted as nine circles of suffering located within the Earth. Allegorically, the Divine Comedy represents the journey of the soul towards God, with the Inferno describing the recognition and rejection of sin.

The nine circles of Hell

First circle (Limbo)

In Limbo reside the unbaptized and the virtuous pagans, who, though not sinful, did not accept Christ. They are not punished in an active sense, but rather grieve only because of their separation from God, without hope of reconciliation.

Watch: Limbo - Canto IV

Second circle (lust)

In the second circle of Hell are those overcome by lust. Dante condemns these "carnal malefactors"[10] for letting their appetites sway their reason. They are the first ones to be truly punished in Hell.

Watch: Lust - Canto V

Third circle (gluttony)

Cerberus guards the gluttons, forced to lie in a vile slush produced by ceaseless foul, icy rain (Virgil obtains safe passage past the monster by filling its three mouths with mud). In her notes on this circle, Dorothy L. Sayers writes that "the surrender to sin which began with mutual indulgence leads by an imperceptible degradation to solitary self-indulgence."

Watch:  Gluttony- Canto VI

Fourth circle (greed)

Those whose attitude toward material goods deviated from the appropriate mean are punished in the fourth circle. They include the avaricious or miserly (including many "clergymen, and popes and cardinals"), who hoarded possessions, and the prodigal, who squandered them.

Watch:  Greed - Canto VII

Fifth circle (anger)

In the swamp-like water of the river Styx, the wrathful fight each other on the surface, and the sullen lie gurgling beneath the water, withdrawn "into a black sulkiness which can find no joy in God or man or the universe."

Watch:  Anger - Canto VIII / IX
Sixth circle (heresy)

In the sixth circle, Heretics, such as Epicurians (who say "the soul dies with the body") are trapped in flaming tombs.

Dante opts for the most generic conception of heresy--the denial of the soul's immortality. More commonly, heresy in the Middle Ages was a product of acrimonious disputes over Christian doctrine, in particular the theologically correct ways of understanding the Trinity and Christ. Crusades were waged against "heretical sects," and individuals accused of other crimes or sins--e.g., witchcraft, usury, sodomy--were frequently labeled heretics as well.

Watch:  Heresy - Canto X

Seventh circle (violence)

The seventh circle houses the violent. Its entry is guarded by the Minotaur, and it is divided into three rings: Outer, Middle, Inner ring.

Virgil explains to Dante that sins of violence take three forms according to the victim: other people (one's neighbor), oneself, or God .

Those who perpetrate violence against other people or their property--murderers and bandits--are punished in the first ring of the seventh circle, a river of blood (Inferno 12).

Those who do violence against themselves or their own property--suicides and squanderers (more self-destructive than the prodigal in circle 4) --inhabit the second ring, a horrid forest (Inferno 13).

The third ring--inside the first two--is a barren plain of sand ignited by flakes of fire that torment three separate groups of violent offenders against God: those who offend God directly (blasphemers: Inferno 14); those who violate nature, God's offspring (sodomites: Inferno 15 / 16); and those who harm industry and the economy, offspring of nature and therefore grandchild of God (usurers: Inferno 17).

Eighth circle (fraud)

The last two circles of Hell punish sins that involve conscious fraud or treachery. These circles can be reached only by descending a vast cliff, which Dante and Virgil do on the back of Geryon, a winged monster traditionally represented as having three heads or three conjoined bodies, but described by Dante as having three mixed natures: human, bestial, and reptile.

Watch:  Theft - Canto XXIV / XXV
Fraudulent Rhetoric - Canto XXVI / XXVII
Divisiveness - Canto XXVIII
Falsification - Canto XXIX / XXX

Ninth circle (treachery)

The ninth circle is ringed by classical and Biblical giants, who perhaps symbolize the pride and other spiritual flaws lying behind acts of treachery

Watch: Treachery
Caina - Canto XXXII
Antenora/Ptolomea - Canto XXXIII
Judecca - Canto XXXIV

More: Wikipedia
University of Texas

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